
PART 1: THE IRRESISTIBLE POWER OF STORYTELLING
Chapter 1: The Gaps in Business and the Bridges That Close (and Don’t Close) Them
You must master three main elements to have any hope of building a bridge strong enough to get your intended audience — potential customers, key team members, investors, etc. — across the great divide: attention, influence, and transformation.
- First and foremost, the best bridges must capture attention and captivate the audience, so they know the bridge is there in the first place.
- The second element, influence, is the means by which you’re able to compel the audience to take the action you desire.
- And third, if you don’t want to keep bridging the same gaps over and over again, the best bridges transform the audience, creating a lasting impact and leaving the audience changed, so they never even consider returning to the other side of the bridge, thereby closing the gap forever.
It is possible to bridge a gap without all three essential elements — attention, influence, and transformation. However, if you have all three elements, the gaps stay closed, bridges will last, and the stories will stick.
The storytelling process is a co-creative one. As the teller tells the story, the listener is taking the words and adding their own images and emotions to them.
Chapter 2. Once Upon a Brain
As Uri Hasson, a Princeton neuroscientist, has shown, the brains of storytellers and story listeners can synchronize. Stories don’t just make us like each other; they make us like each other. They make us similar.
Chapter 3. What Makes a Story Great
The Four Components of a Great Story
- Identifiable characters
- Authentic emotion
- A significant moment
- Specific details
Identifiable Characters
- We don’t need a hero. We need an identifiable character. Someone we care about and connect with.
- A story needs a single or several single, separate characters we can identify with and connect to.
Authentic Emotion
- Emotion does not refer to what the receiver experiences, but rather the emotion felt by the characters or inherent in the circumstances of the story. It is through that emotion that the story receiver experiences empathy with the story.
- No emotion means no empathy; no empathy means reduced impact of the message.
A Significant Moment
- A specific point in space, time, or circumstance that sets the story aside from the rest of our existence. Instead of going big and board, we need to go small and detailed.
E.g. Opening a new international school in South America:
- Broad: “It was just so amazing to see the kids experience a different culture . . .” “It was like nothing I’d ever seen . . .” That was the story, basically the whole map. And because there was no zoomed in, magnified moment, it was all forgettable.
- Detailed: For one executive, it was during lunch in the cafeteria. For another, it was watching the American students negotiate play on the playground. For another, it was walking through the doors of the school on that first Monday morning and noticing how uniquely different the lobby smelled.
- Often, where messages that are intended to be stories go wrong is they stay too vague, too high level, too broad, too general. For a story to be compelling, it should include a specific moment in time or physical space.
Specific Details
- The specific details component involves the use of specific, descriptive, sometimes unexpected details and imagery that are relevant to the intended audience in an effort to create and draw the listeners into a world that sounds familiar to their own. The finer the details, the better.
The Stellar Storytelling Framework: Normal, explosion, and new normal.
Normal: Things are how they are.
Explosion: Something happens.
Normal New: Things are different.
Normal
- A bad story has a single defining characteristic: we don’t care.
- Fortunately, the majority of the time, the root cause of this disconnect can be traced back to a single mistake: leaving out the first part of the story. The normal.
- To tell a good story, your audience will care about and invest in one, you have to start off strategically by establishing the normal. The way things were before something changed. Normal is where you take a little bit of time to include the key components of a story: introduce the identifiable characters and their emotions. This is also where you include a few details that create a sense of familiarity with the audience, drawing them in. They let down their guards. They put themselves in the characters’ shoes.
- The normal is where you include the components. The normal is where you give your audience a reason to care. The normal is the part most people leave out, which is why their stories don’t stick.
Explosion:
- The explosion is simply the happening. It could be a big thing or a small thing, a good thing or a bad thing. Most importantly, it’s the moment things change.
New Normal:
- This is where you share with your audience what life is like now, after the explosion. You tell them what you know now, why you are wiser or stronger or how you improved (or are still trying to improve) as a result.
PART 2: THE FOUR ESSENTIAL STORIES—THE TALES EVERY BUSINESS NEEDS TO TELL
Chapter 4. The Value Story
People don’t buy things. They buy what the thing will do for them.
In order for them to do that, you have to tell them a story.
That story is a value story.
Framework
- Start with a story.
- Draw them in, captivate them, get buy-in so they’ve already said yes.
- Then insert the information. Give the facts, appeal to logic, put as much data in there as will make you comfortable.
- But then it came back to the story.
- Wrap the whole thing up with the new normal. Much like a spoonful of sugar, as long as the message begins and ends with the story, it’ll go down nice and easy.
Summary
Normal
- What is your customers’ problem?
- What pain are they experiencing?
- How do they feel?
- How is it impacting their life? Their business?
- What’s keeping them awake at night?
Explosion
- How does your product / service solve the pain or problem?
- How does your product / service make their life easier?
- What does the experience of using your product / service feel like for the customers?
- How is using your product / service different?
New Normal
- How is life different after?
- What is enhanced or improved?
- How do the customers feel?
- What pain points have vanished?
The Value Story: A Components Breakdown
Identifiable Characters
- The important thing to remember is having an actual character for the audience to connect with and relate to is key.
- Having an identifiable character is a critical point of distinction between a strong story and a weak one. The greatest mistake of marketing is to put what you offer at the center of everything instead of the person you offer it to.
Authentic Emotion
- Ask: What keeps them awake? What problem are they staring at the ceiling and trying to solve but can’t? What issues worry them, concerning them, stressing them out?
- Once you know that, then the next step is how do you fix that feeling?
- It might be tempting to share your feelings about the product or the opportunity, but the only emotions that matter in the value story are those of your potential customer and, as such, the identifiable character.
- Use analytics and insights (personas of your key customers) to hone in on the one thing your customers care most about, the thing that keeps them up at night, and tell a story that includes and taps into that emotion.
A Moment
- One of the many strengths of telling a valuable story is that it demonstrates and, when done right, often simulates the problem you and your product solve by putting it into a specific context.
- While including a character and emotion will help to draw the audience into the scene, the best value stories include a specific moment in time the audience can see vividly and specifically.
Specific Details
- Either with time, research, or experience, get to know your audience. Once you do, include details in the story you tell that will make the scene familiar and show them you really get it.
Chapter 6. The Purpose Story
Purpose Over Profit
- Companies that have a stated purpose other than profit, and that align themselves with it, return more profits over time.
The Purpose of a Purpose (Story)
- At their core, purpose stories are about alignment and inherent inspiration. And the larger an organization gets, the more those two things matter. Together, alignment and inspiration create purpose, and you both need to make progress.
The Key to a Successful Purpose Story
- Purpose stories live and die on how well, how strongly the story supports a specific message. The story is dependent on, first, the clarity of that message and, second, how clearly the story illustrates that message. In other words, all-purpose stories start with this essential question: What point do I want to make? Said another way: What do I want my audience to think, feel, know, or do as a result of hearing this story?
A Word of Warning
- There is very little room for error when it comes to matching the message, the ultimate point you want to make, with the story you end up telling.
- If you tell a story that doesn’t perfectly illustrate your message, if you tell a story that leaves your listener wondering: “What was the point of that?” you will have committed the ultimate storytelling crime: telling a story for the story’s sake.
Purpose Story Hack: Once you’re clear on the message you want to deliver, the next step is to ask yourself: When did I learn this lesson? When did I discover this truth? (e.g. Michael, young executive who quit the collegiate swimming team senior year).
The Purpose Story: A Components Breakdown
Identifiable Characters
- The identifiable character: the storyteller. The leader who learned the lesson. The person who had the experience. While you can tell a purpose story about someone else, the best ones are about yourself.
- The key to using identifiable characters well in a purpose story is to reveal details about yourself. Something as simple as what you were wearing that day or a specific observation you made or thought you had. But as you do, keep your audience in mind. What details will they relate to or connect with? What detail will make them say, “Yep — that’s so me”?
Authentic Emotions
- What makes a purpose story work is not how clearly you can recite the sequence of events. The success of your purpose story is dependent entirely on your ability and willingness to share how you felt about these events. These emotions don’t have to be big. In fact, indifference is often the primary emotional state.
- What does need to be big — the bigger the better, really — is your willingness to be vulnerable, to share things about yourself that aren’t typically shared in business.
- When we’re vulnerable in the workplace, we connect on a human level, increasing trust among leadership and employees, encouraging the sharing of ideas, and increasing loyalty.
A Moment
- Your purpose story will be more compelling if it includes a specific moment in time. This can be accomplished by including something as specific as a place or a time the audience can picture, like sitting in the bleachers watching a water polo game.
Specific Details
- The success of a purpose story hinges on the leader’s ability to make a story that is technically about him or her feel like a story that’s about the audience.
- With that in mind, whenever possible, build in the audience universal truths. Details, situations, emotions you know the majority of your audience is familiar with (Beanie Babies).
Purpose Stories and the Last Company Culture Frontier
In 2010, a psychologist at Emory University set out to determine what made emotionally healthy, happy kids and administered a test to elementary students in an effort to reveal some insight. The test was comprised of twenty simples yes – or – no questions designed to measure how much of their family history each student knew.
- Do you know where your grandparents grew up?
- Do you know where your mom and dad went to high school?
- Do you know where your parents met?
- Do you know an illness or something really terrible that happened in your family?
- Do you know the story of your birth?
The results of the study were astonishing. The more the child knew about their family’s history, the stronger their sense of control over their lives and the higher their self-esteem. The “Do You Know?” scale turned out to be the best single predictor of children’s emotional health and happiness.
Chapter 7. The Customer Story
How to Get the Customer Story
- Rule 1: You Must Ask: Your ask needs to come after the customer has experienced your product or service. Offer free things for a review.
- Rule 2: Ask Specifically and You Shall Receive: When seeking customer stories, ask questions that will elicit the kind of responses you’re looking for.
The Customer Story: A Components Breakdown
- Identifiable Character: The customer. It’s much less about the who and more about the how. How do you enable the customer to be a character your audience can relate to and trust?
- Authentic Emotions Authentic emotion lives in every word from the customer. But more valuable than the emotions they felt after experiencing your product or service are the emotions they felt before. Customer stories live and die based on the emotions that are shared in the normal of the story. Remember this: the joy or relief they felt (authentic emotion) after finding you only matters when placed in contrast to how they felt before finding you.
- A Moment: Ask questions like “Where were you the first time you tried our product?” or “Do you remember where you were when you first heard about our service?” These questions are moment driven.
- Specific Details: Keep your ears out for little details and pay attention to your own imagination when they tell you or write you with their story. What details engaged your co-creative response? What details did your subconscious pick up on and run with? Let that be your guide for the details that ultimately get shared.
PART 3: CREATE YOUR STORY—FINDING, CRAFTING, AND TELLING YOUR STORY
Chapter 8. Finding Your Story
Good story finding is a combination of both collecting and choosing.
Finding the Story, Phase 1: Story Collecting
Asking better questions, creates better stories. Our stories attach themselves to the nouns in our lives (the people, the places, the things, or the events).
When you are struggling to find a story, one key to a better question is to shift your thinking to nouns. Make a list of people or places or things, or events. And as you write each one down, allow some mental space for the memories connected to those nouns to come to you.
- Bad: “Grandpa, tell me about World War II,”
- Good: “Grandpa,” I asked, “where were you stationed (noun) in World War II?”
- He said Perth, Australia. “Grandpa,” I said, “Tell me about Perth, Australia.”
Make a list of all the jobs you’ve ever had. Make a list of all the homes you’ve lived in. Make a list of your teachers in school or coaches in sports. And with each noun you write down, take a moment. It’s likely that a memory or two will come back to you. A memory that can be turned into a story.
Unlocking More Stories
Think about firsts: If you’re struggling to find your stories, shift your thoughts to the first in your life (e.g. business way: the first time you saw your product in action, your first sales call or a more personal way: the first time you tried a hobby you now love, the first time you met someone who is now important to you).
Make a list of customer objections and questions: If you know why your customer says no to what you have, you can tell stories that put their concerns at ease (e.g. if you know they think your product is too expensive, you know how to look for stories that illustrate how your product saves them money in the long run).
Ask yourself lots of questions:
- When have you had to be resourceful in order to survive?
- What was the worst day in the history of your business?
- When have you made a customer cry? For good reasons? For bad?
- When have you stopped a customer from crying?
- What’s the hardest thing you’ve ever done in business?
- Whose life is different because of your business?
- What is your proudest moment in your work or business?
- What one event or decision in your business history could your company not have survived without?
- When have you been surprised or mistaken about someone or something in your business?
- What was your first sale?
- What was your most meaningful sale?
- Do you remember a time when you lost a sale?
- Who is your most satisfied customer?
- Who is your most unsatisfied customer?
- What was your most embarrassing moment?
- When has someone said you couldn’t accomplish something?
- What was the moment you knew the work you do is worth it?
Finding the Story, Phase 2: Story Choosing
Cheat Sheet on How to Select a Story
| Value Story | Founder Story | Purpose Story | Customer Story | |
| Purpose | More effective sales and marketing | Increase confidence and differentiate | Team, organizational alignment | Sales, marketing, fostering excellence |
| Primary Audience | Prospect / customer | Stakeholders (investors, partners, employees) | Employees, teams | Prospect / customer |
| Who Should Tell It | Marketers and salespeople | Entrepreneurs | Leaders, executives, and managers | Customers and companies |
All About the Audience
If you’re telling a story in business, these are always my first two questions to a client:
- Who are you telling this story to?
- What do you want them to think, feel, know, or do?
The answers to these questions are an essential part of the story-choosing process.
Finding Stories in the Moment: Whenever the thought of a story comes to mind, have somewhere to jot it down (app on my phone).
Chapter 9. Crafting Your Story
Putting the Storytelling Framework and Components to Work: Normal → Explosion → New Normal
Explosion: Start in the Middle
- The memories & the moments that rose to the top of our story collections were likely explosions.
- This natural oblivion to the normal means it’s a pretty tough place to start when crafting a story. Better to start with the explosion, the thing that happened, and then work backward.
Normal: Back to the Beginning
- Crafting the normal is the most fun and most important piece of the story process. This is where you take a happening and make it matter. This is where you get to make your audience care.
- Additionally, this is where you get to flex your empathetic muscles, where you simultaneously say, “I know you” and “You know me.”
- This is where the listener, reader, or hearer of your story settles in, lets down their guard, and if you do it right, blurs the lines between their world and yours long enough for you to bridge the gap.
- And in case you’re wondering, this is the part we humans love.
New Normal: Smooth Sailing
- If you get the rest of the story right, the new normal writes itself. It’s the recap of the lesson learned and what it means for the person hearing the story. As you craft the new normal, it’s up to you how blatant you want to get about the message.
- The most important piece of crafting the new normal is to use it as an opportunity to come full circle. End the story back at the beginning, except with the benefit of knowledge, wisdom, and understanding you didn’t have in the normal.
Avoiding Common Crafting Pitfalls
- Not Crafting the Story to Specifically Support Your Goals: There is a difference between finding a story and finding the right story.
- Cutting the Small Stuff: Don’t delete the details. The meticulous nuances that made the story an actual story. A vibrant tale can become a generic shell of events.
Chapter 10. Telling Your Story
Tell Stories in Presentations
Start with a Story: Why? It’s an easy way to ease the natural tension that sometimes exists between audience and speaker. It also helps to calm your nerves as the audience engages with your story (nod their heads, uncross their arms, perhaps even chuckle).
When a Picture Is Not Worth a Thousand Words
Advice to make sure your deck and your stories work together in perfect presentation harmony.
- First, make sure you leave dedicated space on your deck for the stories (e.g. company logo on slide to tell story about you founded the company). Include these story slides throughout the deck as constant reminders to shift from bullet points and data and information to the stories that make that information matter.
- Second, choose the image wisely. Don’t give the audience the image (otherwise, the audience can’t create their own mental image – e.g.telling a story about your kids? Here they are.)
- To avoid this mistake, when you tell a story in a presentation, use your words instead of relying on the images in your deck. Instead of putting up a picture of your kids, simply describing them, and the audience will, no matter how different your kids are, imagine their own. And when you choose an image for your story slide, choose a nondescript one that still gives room for the audience to create their own.
Practice Breaks Perfect
I want you like Goldilocks and the three bears, to strike that balance between being well prepared (because winging it is almost always disastrous) and being over-rehearsed so that your stories are just right.
How? The key is to focus on your message, not the words. Think more about the message you’re making with your story and less about the exact words you use to do it.












